“without hesitation" (2026)

solo show at Dodgers Gallery in Guangzhou, China

Taking the Lingnan industrial assembly line as its point of departure, this series dissects the structural consumption of the physical body by the system. By juxtaposing cold, rigid mechanical sorting devices with limp, alienated bodies, the work materializes the brutal process in which life is forcibly stamped amidst roaring gears, ultimately reduced to standardized systemic consumables. The title without hesitation serves as a dual metaphor: it signifies the unquestionable, cold-blooded logic of capital and efficiency marching forward, while also projecting the resolute existential posture of contemporary individuals striving to break free from their fate as mere "parts." Through its hyper-rational operation, the exhibition silently reveals the hidden trauma that emerges when the value of life is absolutely quantified.